https://deepspace.company/blog daily 0.75 2018-09-10 https://deepspace.company/blog/2018/9/9/megacity-2050 monthly 0.5 2018-09-10 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1536551165139-D3H39L3VFLL7BFWG1VWU/Megacity2050.jpg Words - Megacity 2050 https://deepspace.company/blog/2018/5/6/reflections-on-the-analog-city-as-design-theory monthly 0.5 2018-05-07 https://deepspace.company/blog/2018/4/18/living-in-america-exhibition-frank-lloyd-wright-harlem-modern-housing-politics-of-space-mary-mcleod monthly 0.5 2018-04-19 https://deepspace.company/blog/2018/4/18/the-architecture-of-the-city-as-a-critique-to-the-modern-movement-the-history-of-architecture-theory-mark-wigley monthly 0.5 2018-04-19 https://deepspace.company/blog/2018/4/18/the-beaubourg-effect-in-a-society-of-the-spectable-politics-of-space-mary-mcleod-november-21-2017 monthly 0.5 2018-04-19 https://deepspace.company/blog/2018/4/18/structuralism-and-the-contradictory-space-politics-of-space-mary-mcleod-september-29-2017 monthly 0.5 2018-04-19 https://deepspace.company/blog/2018/4/18/alice-tully-hall-and-the-juilliard-school-renovation-2009-diller-scofidio-renfro-with-fxfowle-architects-and-beyer-blinder-belle-a-fragile-connection-arguments-enrique-walker-august-05-2017 monthly 0.5 2018-04-19 https://deepspace.company/new-project-40 daily 0.75 2019-07-31 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545707181-WG0DNQ4KPPYBM2DFXAMK/7..jpg Public Art 1 - COP25 Public Art Competition Architects: Javier Moya O, Humberto Eliash Sculptor: Tito Ortiz Year: 2019 Location: Santiago, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545707181-WG0DNQ4KPPYBM2DFXAMK/7..jpg Public Art 1 - COP25 Public Art Competition Architects: Javier Moya O, Humberto Eliash Sculptor: Tito Ortiz Year: 2019 Location: Santiago, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545266712-BPWIL9RJ757BO861RT7M/AXO.jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545703135-1IWH1ZJ19V7NTJHHG3O6/6..jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545679130-NQLKOTIPKPOMXHEZ16IL/1..jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545678710-RYIF31S6DCYL4S8KGNTA/2..jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545689995-MW2WCNDLXLXXZTCEV1LV/3.jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545700255-N56S2B7KWTTQCBE5W60K/5..jpg Public Art 1 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545690154-P2V4XL55E9I55U6PH0A4/4..jpg Public Art 1 https://deepspace.company/public-art-3 daily 0.75 2019-07-31 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545995368-UJ5XSYEKWSNC0ZXVS7DV/7..jpg Public Art 3 - COP25 Public Art Competition Architects: Javier Moya O, Humberto Eliash Sculptor: Tito Ortiz Year: 2019 Location: Santiago, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545995368-UJ5XSYEKWSNC0ZXVS7DV/7..jpg Public Art 3 - COP25 Public Art Competition Architects: Javier Moya O, Humberto Eliash Sculptor: Tito Ortiz Year: 2019 Location: Santiago, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545991966-3L91GW5479Q1RIXJUQB1/6..jpg Public Art 3 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545971995-VEV4FGBZ1I82ULID05ZZ/1..jpg Public Art 3 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545971733-XY547IU02JMIP4WIN5ND/2..jpg Public Art 3 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545982348-51SA7W3TA4S6SRGB6P96/3..jpg Public Art 3 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545980305-BBLYPPLMK5ADD01G0VTH/4..jpg Public Art 3 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545989519-O5A47MGP6D10P4ZNH3YQ/5..jpg Public Art 3 https://deepspace.company/moodboard daily 0.75 2020-01-22 https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1461619355997-ZAV09MWPDQNH86LHF90N/untitled.jpeg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1461619355997-ZAV09MWPDQNH86LHF90N/untitled.jpeg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1461620489237-QAQ6U7KEO5III0AYUIFS/get-real.jpg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1461618928008-H5L4OM00O8XDG5SFFWXY/7.jpg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1461618408530-Y4QZHI2APVIJMRFUG8Q7/crop.jpg Moodboard https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1579726876868-ICSEIC95UYKB6HORVSS4/1.jpg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1464031021138-YBETCAKP0EZE4GN5QP20/pareidolia.jpg Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1464033164561-OWERNGEYR0AKBOTZVETB/Untitled-2.png Moodboard https://images.squarespace-cdn.com/content/v1/56f96a558a65e2431339cdaf/1464033301507-TSX1XY70Q79O991CW3GM/Screen+Shot+2015-03-09+at+4.21.13+PM.png Moodboard https://deepspace.company/work daily 0.75 2023-03-07 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524266932453-Y1GZEZ20AEJ29IH442YI/Parque_Renato_Poblete.JPG Collaborations - Renato Poblete River Park Architects: Boza Arquitectos Asociados Design Team: Cristián Boza Wilson, Diego Labbé, Eduardo Ruiz, Michel Carles, Pedro Pedraza, Roberto Incristie, Víctor Alegría C., Javier Moya O. Year: 2011 Program: Public Park Location: Quinta Normal, Santiago, Chile Surface: 2.152.782 ft² The Renato Poblete River Park belongs to a master plan that aims to re-clean the Mapocho River, an important geography element from the urban zone in Santiago that has been indirectly excluded from the city activities. With the creation of this project, Santiago recovers its soul and incorporates light water sports and paths from the Mapocho Bikepark 42k into urban practices. The collaboration consisted in being part of the team in charge of the design and the development of artificial topography that uses the strategy of triangulation in order to surround the new river branch, allowing containment. On top of that, paths and bridges also consider the triangular edges. They cover the park, obtaining views towards both the internal and external sides, the park and Santiago city, respectively. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524109671147-7OGV7COUQFTMW5T66BH7/CANVAS_2.+VISTA+DESDE+AV+ANGAMOS.jpg Collaborations - Huanchaca Ruins INTERNATIONAL COMPETITION, HUANCHACA CULTURAL PARK FIRST PLACE Architects: Canvas Architects Design Team: Pablo Nuñez, Jose Riesco, Laura Sanchez, Eugenio Sweet, Javier Moya O. Year: 2014 Program: Masterplan Location: Antofagasta, Chile Surface: 430.556 ft² Antofagasta and its unique geographical profile offer its viewers the possibility to have amazing urban lookouts, relaxing areas, and collective meeting points that also provide facilities. Huanchaca Park uses the urban model already mentioned in order to convert the ruins into the center of the plan through a public lookout-space, including a mechanical infrastructure connecting east and west plains, defining the slopes, paths, and spaces of the area that strengthen the unique coast border. The collaboration consisted in being part of the development proposal team for the competition. The essential idea was to highlight the image of the ruin, restoring it in a critical way, keeping the original environment but allowing people to interact and use the space provided by the ruin. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524262859871-LGFZAENBZ4W1XDBJL02O/furniture.jpg Collaborations - Mamushka CONNECTIVE SPACE, ARAUCO COMPETITION Architects: Javier Moya O, Víctor Alegría C, Rodrigo Valenzuela, Benjamín Murúa Year: 2011 Program: Interactive equipment Location: Galería Carroza, Santiago, Chile Is it possible to think about a connective space as well as a place for meeting people? Considering this, we propose three elements, which can be piled or displaced to generate spaces, and which enable their individual and group usage. In an epoch where everything seems to be over-designed, we have focused on producing monolithic and neutral objects which only outstand because of their materials and the multiple possibilities of usage to people. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678156723519-8E6QWYHBH32H7L6VFWZI/HOSPITAL_ANTOFAGASTA.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678156984976-9SM0TJTIGZ24PYD4EWFL/hospital-curico.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678158262129-KL79XEBDVDCDUWDR2AXW/1.Vista+oriente.jpg Collaborations https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678158178616-00Z7GN20UYC57PN93D1U/CUSM+Courtyard+2.png Collaborations https://deepspace.company/work-avenue daily 0.75 2023-06-05 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524104751725-OIIPN8NMTYI7GXI6OZAD/img_2956.jpg Work - ECO PIXEL “NEW FACES FOR LANDSCAPE”, JARDINERA FAIR 2012 COMPETITION FIRST PLACE Architects: Javier Moya O, Víctor Alegría C. Year: 2012 Program: Public space intervention Location: Araucano Park, Santiago, Chile Surface: 70 sqm https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524105575385-EOPBT4MAPDOVGUT0ZK9M/ARCH_VPPR_Javier+Moya_FA17_38_Book.JPG Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524105687986-1KZB0QC8IDKKTHT6QZWB/4_imagen.jpg Work - Chile x Chile CURATORSHIP AND MOUNTING OF THE UNIVERSIDAD DE CHILE’S FACULTY OF ARCHITECTURE AND URBANISM AT THE XVIII BIENNIAL EXPOSITION OF ARCHITECTURE AND TERRITORY Architects: Javier Moya O, Víctor Alegría C. Coordinator: Manuel Amaya Year: 2012 Program: Temporal Exposition Location: Estación Mapocho, Santiago, Chile Surface: 9 sqm Under the slogan “La Chile por Chile” (University of Chile For Chile), the university structured its sample of projects at the Biennial exposition of architecture and urbanism, recognizing the way Universidad de Chile has performed a permanent and fundamental role in the creation of a country with an integral, social, and public view. The project aims to involve intervention spaces, introducing the viewer into a global experience, where he is surrounded by concepts, ideas, and images that get him closer to the tasks of the School of Architecture and the way in which it faces the challenges of the habitat and the territory. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524108496874-332XTBN3VZZVAVTVROAD/Exterior-HDR.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524015300635-LV1T954CLDAH5Q5WSZFK/ARCH_VPPR_Javier+Moya_FA17_33_Rome.JPG Work - Behind the gallery walls AAD, GSAPP, COLUMBIA UNIVERSITY Author: Javier Moya Ortiz Studio: VPPR, Jessica Reynolds, Tatiana Von Preussen, Catherine Pease Year: Fall 2017 Program: Museum housing Location: Metropolitan Museum of Art, New York City. The world is in crisis: humanitarian crisis, economic and social inequality, political scandals, religious accusation, a housing crisis, climate change and bombed by the media and the social media. Is not enough to responsibilize nations, now institutions have to make compromises. This is the time to look for alternatives. The Metropolitan Museum of Art, a global institution with a building the size of 4 New York city blocks and 2,000,000 square feet, an ancient city full of art and culture, hundreds of domestic spaces, and with excess in space an unused time. As From the Mixed-up Files of Mrs. Basil E. Frankweiler, we will start living inside the MET. We are not whiling to demolish to build again. Not to waste time, materials, energy and efforts. We want to re-think, re-designed, re-configured, re-new, re-use everything that is around. This is not an eccentric offer, it is an efficient one. The MET already has light, heating, ventilation, and air conditioning systems that operate 24/7 and uses the same amount of electricity as 10,000 homes, so why don´t we start using it as home? We are using the 3,9% of the existing space to create 250 housing units for artists living and working in the museum, behind the gallery walls, in the false ceiling, around the Roman courtyard. We can live from an individual unit to a communitarian living. The Met already had schools, library, restaurants, bars, all religious spaces, private circulations and we will use them and re-interpret each space, we will have a swimming pool in the temple of Dendur, we will sleep in Luis V bedroom and we will use the halls as streets. In the day we work in our working spaces or blende with the visitors, at 5 pm the Museum is ours. This is the use of an existing structure 24/7. Maybe in a glance, you can catch us at dusk. We are artists, prophets, critics, revolutionaries, hackers of the actual use of this public space that we call Metropolitan Art Museum. We live here, but you can’t find where. We are producing art that will change the spaces that we share. We want to show you around, to look beyond the possibilities and imagination. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524261109529-2DV7YYIAY8PZXQIUBPPT/Papudo_render1%2C2.jpg Work - Zocalo Square BASEMENT FOR CIVIC COMMUNITY LIFE PAPUDO’S TOWN HALL NATIONAL COMPETITION Architects: Javier Moya O, Víctor Alegría C, Thomas Fell Year: 2015 Program: Town Hall, Public Park Location: Papudo, Chile Surface: 3.000 sqm Our challenge was to design a building that would merge with Papudo’s square, where the memory of the community is rooted within its traces, trees, and the foundational building. This project requires to think of architecture in terms of an element that inextricably intertwines with the place’s characteristics in order to highlight the values of the local landscape. The proposal is based on three elements that we have gathered from the own conformation of Papudo’s landscape: the esplanade and the breadth of the coast, the house’s stone bases, and the volume of the large houses that rises as a minaret conquering the vertical axis. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524263183956-1ERLUFYKKGVZHBJQJLEA/123-2+portafolio+1.jpg Work - Colaboractive Habitat INTERNATIONAL HOUSING IDEAS COMPETITION HONORABLE MENTION Architects: Javier Moya O, Víctor Alegría C, Thomas Fell, Daniel Meza Year: 2016 Program: Urban strategy, collective house, public space Location: Santiago, Chile “In the urban scenario, contemporary initiatives incorporating citizens as active agents have shifted away from the conventional paradigm of citizens as finished product customers-spectators-receivers, to turn them into citizens-agents-producers within open processes, thereby creating augmented spaces that may be modified according to user needs (understanding the city and its public spaces as sensitive areas under permanent transformation, capable of adapting over time to address different demands, and defining spaces as support platforms for interaction and experimentation). Vast experience in networking and co-working can be used as a point of reference to design new models for the collective creation of public spaces and cities. The direct benefits of incorporating citizens into the creative process include potentially better results, facilitated development, wider intervention acceptance and the creation of a sense of community.” Elinor Ostrom, Economics Nobel Prize winner in 2009 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524263499121-ZXJF04RWBDP9MIRSZE3P/r1.jpg Work - Erratic Blocks MOP PUBLIC ART COMPETITION Architects: Javier Moya O, Víctor Alegría C, Pablo Rojas B. Year: 2014 Program: Public space intervention Location: Calama, Chile Surface: 677 sqm Popular language calls these huge “isolated rocks” erratic blocks, which might be due to the fact that nobody can ignore them. If you face an erratic block, you are in front of an object whose nature and way of being produce a mysterious feeling. It is difficult to understand an element out of context. Although it might be hard to believe, humans often paralyze in the middle of the landscape and focus on themselves. Suddenly, they realize where they are, a particularity which is opposed to an objective discovery and which crashes on the consciousness, like an abrupt, emergent, and meaningful discovery. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524263865660-SUABWH6BYW717U15DOS9/IMAGEN_OBJETIVO.jpg Work - Green Quipus GREEN QUIPUS, INTERTWINING NATURE AND SOCIETY ISLAND HILL, GREEN CORRIDOR OF SAN BERNARDO COMPETITION SECOND PLACE Architects: Javier Moya O, Víctor Alegría C, Paola Velásquez Betancourt, Carolina Devoto Magofke Architecture Students: Andrés Riveros Cristoffanini, Ángel Quiroz González, Francisca López Espinoza, Felipe Aguirre Saavedra, Paulina Vera Fuenzalida, María Jesús Martínez Pucci, Daniela Niechi Gaete Geographer: Alexis Vásquez Fuentes Year: 2015 Program: Urban planning, green infrastructure, Public park Location: San Bernardo, Chile The proposal is configured as a green corridor of high ecological and landscape value, in a metropolitan scale. It aims to highlight the potential of San Bernardo’s geographical resources in the system of Santiago’s five island hills (Chena, Hasbún, Adasme, Negro, and Los Morros) and its hydrographic system. The project consists of a group of green infrastructures that recognizes the green areas and the most important existing open and potential spaces in order to sustain the ecological and social functions of the community. This green network allows the simultaneous maintenance of the commune’s ecological health and the satisfaction of multiple communitarian needs in different scales, highlighting the urban-rural identity that characterizes the community of San Bernardo. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524264878876-6W24WS5DIH2LVQMK6KZU/GIPpy02_High.jpg Work - Museum Park + Gippy Pavilion INTERNATIONAL WORKSHOP UNIVERSIDAD CATOLICA DE CHILE + AA ARCHITECTURAL ASSOCIATION UNITED KINGDOM Architects: Javier Moya O, Víctor Alegría C. Coordinators: Pedro Alonso, Hugo Palmaroli, Alejandra Celedó Year: 2015 Program: Curatorship, collection and onsite museum Location: Calán Hill, Santiago, Chile Surface: 500.000 sqm The proposal aims to look at Calán Hill and its numerous buildings and objects related to the observation of space and astronomy. Objects are gathered and related among each other, replicating the asteroids’ classification, activity proper to astronomy. This rearrangement enables the view of buildings as artifacts placed in the territory, making their relationship possible through the neatness of the territory and the creation of a structural axe. Its orderliness and geometry act as a dispositive able to provide a new interpretation of the buildings and disposed objects that resemble a big trench, where new relationships of observation and contemplation are created, including looking up and down, and the great horizontal tensions. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524265291898-F5MWMJUCUQ6JMQVERK3G/Perspectiva+Parque+y+Vel%C3%B3dromo+Exterior.jpg Work - Sportive Ravine NATIONAL ARCHITECTURAL COMPETITION SPORTS PARK VILLA ALEMANA HONORABLE MENTION Architects: Javier Moya O, Víctor Alegría C, Thomas Fell, Daniel Meza Year: 2014 Program: Public park, cycle track Location: Villa Alemana, Chile Surface: 180.000 sqm The proposal aims to recognize large areas of regional zones’ program, to insert them in a territory and to structure the landscape, recognizing the previous characteristics of a zone defined as dry and its multiple ravines that penetrate the urban frame. These large areas and volumes, according to their location and relationship to the surrounding emptiness, generate perimeters and borders available for citizens’ use. Landscape is reinterpreted in its condition of platform, hills, and ravines that will allow people to penetrate the interior of the sportive park. In contrast, the “cycle park” is a hermetic volume whose disposition, material, and syntactic expression appear as a rock in the landscape, which orders, ranks, and orientates the space. It opens its bottom zone only towards the park´s central emptiness, slightly joining the track and the main space of the ravine. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524265616345-73TDK0YEFVA4HGTFRDC0/CIDTA_imagen+1.jpg Work - Algae Research and Innovation Center ALGAE RESEARCH AND INNOVATION CENTER WORLD´S BEST GRADUATION PROJECT EXHIBITION, MOSCOW, RUSSIA, ARCHIPRIX INTERNATIONAL 2013 GRADUATION PROJECT COMPETITION, ARCHIPRIX CHILE 2013 FINALIST LATIN AMERICAN GRADUATION PROJECT COMPETITION, ARQUISUR 2012 HONORABLE MENTION NATIONAL´S BEST GRADUATION PROJECT, ARQUITECTURA CALIENTE 2011-2012 WINNER UNIVERSIDAD DE CHILE 2011-2012 BEST GRADUATION PROJECT Architects: Javier Moya O. Year: 2012 Program: Public space, external aquarium, laboratories, harvest area Location: Coquimbo, Chile Surface: 15.000 sqm Aquiculture in Chile is presented with great potential of development due to the country’s strategical geographical location and weather conditions. The rising national and international demand adds new challenges in order to respond to the constant ecosystem exploitation. Algae is an important ecological, social, and economic resource. In this context, it is proposed a technical infrastructure specialized in investigation, development, and technological transference focused on algae study. Intertidal space is defined as the land and water relation. The encounter between the sea and the rocky morphology of the coast in Coquimbo region generates a diffuse and dynamic border in which water erodes land, causing channels, cracks, and ponds, creating an amphibian or intertidal landscape that enables flora and fauna. The aim of the project is to transform architecture into a landscape, where, similar to nature, land and water interrelate and affect each other in form and function, enabling algae harvests research and the creation of a new ecosystem for the community. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524268047194-NHXFRI08MYI700A79SH0/render-2.jpg Work - Tumbes Productive Platform ARCHITECTURAL DESIGN COMPETITION OF FISHERMEN’S BUILDING MODEL FIRST PLACE Architecture Students: Javier Moya O, Víctor Alegría C, Daniel Meza, Felix Salinas Year: 2011 Program: Fishermen’s space Location: Tumbes, Chile Surface: 850 sqm In the context of the earthquake in Chile on February 27th 2010, the recovery of the community’s source of employment is a fundamental aspect for its progress. Thus, Tumbes project not only aims to recover the productive base, but also to establish a platform for social organization. It promotes community culture and local organization, understanding the fishing productive activity as the ground for the consolidation of these strong relationships and their projections towards other areas of interest, such as identity and tourism. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524268227885-FKWEIBOXKLWH4DN32AD5/taller+23.jpg Work - Work 1:1 ARCHITECTURAL DESIGN STUDIO, UNIVERSIDAD DE CHILE Authors: Architecture freshmen students Advisors: Javier Moya O, Víctor Alegría C, Pablo Rojas B, Mauricio Carcamo, Alfredo Apip Year: 2013 Program: Public space intervention Location: Architecture and Urbanism School, Universidad de Chile, Santiago, Chile Surface: 25 sqm Many different space models are developed based on board game rules. Chess is selected as a model in which space movements are related to the pieces´ movement of the game in a specific displacement. In this way, we define rules of creation that gear us towards new paths to generate spaces. This model is adapted to new variables such as a determined location at the university, human proportions, and constructive materials that once again modify the model and the way to solve architectural problems. Finally, the model is built on a scale 1:1 by the design studio participants. The result is a new meeting space for students. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524268532736-4ESE8Y7XHI782QJT6WBW/tumblr_noaminEIvE1rsfvvyo3_1280.jpg Work - Four Possible Imaginary Users OKUPAS/IMMIGRANTS/CIRCUS PERFORMERS/RELIGIOUS SECTS ARCHITECTURAL DESIGN STUDIO, UNIVERSIDAD DE CHILE Authors: Architecture freshmen students Advisors: Javier Moya O, Víctor Alegría C, Pablo Rojas B, Mauricio Carcamo, Alfredo Apip Year: 2014 Program: Vertical collective house Location: Centro Cultural Palacio La Moneda Surface: 1.500 sqm The relationship among the participants of the four communities in the city is being researched. These communities have a particular way to interact and use the space, experimenting programmatic, spatial, and visual needs. The relationship among users that live in a community was analyzed under the context of space with vertical direction. The material for the model, chosen by the students, is essential for the body expression and its spatial work under a pre-determined metallic frame that simulates urban conditions of the city where these communities live. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524077312555-UY78JZ787D4LWYH595DE/DSC_0854.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1532410216068-3YC2UK1SO10S5494CSFF/Lamina+1.jpg Work - BETWEEN UNITY AND DIVERSITY Unity: bringing different parts together. The circle is an element of control that gives stability to the system and allows for multiple connections between individual objects. The interior of the circle domesticates the wildness, an area of the river and the park for diverse public uses, allowing a new urban scale habitation of it. The circular platform admits a continuous connection with the Anacostia Park, the Anacostia River, and the city, in a changing landscape. This allows various viewpoints to the natural south riverside and the active urban north riverside. The scale of the circle consolidates a bigger system of river projects between Frederick Douglass Memorial Bridge and the new 11th Street Bridge Park. Diversity: the creation of possibilities. As an archipelago, the project is constituted by different floating islands, the ones that reinforce change into a continues variable river system. Fragments of the city floating on the river as a mosaic of shapes and functions. Each island celebrates different values, and with this, creating unity in the archipelago, thus, the system is strengthened. Each of them can work independently or as a group, giving new possibilities to explore. Moreover, their relation to the water and vegetation changes in each of them, allowing Olympic sports, floating beaches to wild wetlands. As old Greeks did, island hopping allows you to interact in a new landscape of shapes and programs, between the land and water. A hybrid playground in the riverside, accessible from the land and water for the city. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1533182316062-0GBRQP5QXG6USA3X6T1J/repetition+A+03+%281%29.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1525496963432-ZHLME4RHZUJLZFGLBQB3/2.jpg Work - Land Art National Park • The biggest and at the same time the smallest National Park in the U.S. • This is our romantic and pornographic idea of experiencing nature. o The true experience is many people crowded on lines for a picture. o A space with more density than the actual city. o In conclusion, your experience of nature is never assured. o My proposal looks to create an alternative to this two options. • This is the actual concentration of National Parks in the U.S. o The proposal looks to explore the space in-between. o To create a new layer of spread National Parks that allows us multiple alternatives to explore nature. • Our studio trip traveled to the south-west desert, so I will use focus in this area. • The main structures that we can find in this landscape are the city (in this case Las Vegas), the network of roads, and the topography. • After exploring this area, I found that this in-between grey space was full of this found objects. o They have different typological characteristics and they share always been isolated in the landscape. • They have this idea of the monolith, they produce a certain attraction when they are encounter alone in the landscape. • With this information, I create a catalog of Found objects. o As hybrid objects sometimes they highlight because of its family and sometimes the shared characteristic of multiple families. • So, I add this new layer of Found objects in this in-between grey space. • With the idea of creating a new alternative to explore the landscape and this network of isolated objects. I wanted to create a new layer of spaces that complement the existing network and allows you to get into nature. o Creating a series of public spaces in the desert. o Asking, if the public space in the city is the open space, what should be the public space on the openness of the landscape. o So by creating a new language of density and abstracts spaces, generating contrast with the nature of the landscape I wanted to create a space of encounters, a space of attraction. • Based on the same families of the found objects I create a catalog of these artifacts that will create spaces of encounters in the landscape. • As a test on the desert, I create one of the smallest spaces and I have left it there to be discovered, used and abandoned. • This space allows you to measure the landscape, to rest and look. • The proposal look for start spreading around these artifacts complementing this network of found objects. • Creating this multiple networks of spaces and objects that allows infinite possibilities of planning and exploring nature. o From a one day trip to be more than a week exploring. o The distance of the objects (15 miles) allows you to walk in a day from artifact to artifact. • As an example, we can see 3 itineraries, one of a one day trip, a university friends weekend and a five days sports team training. o They will have the possibility to explore different objects, and at the same time share experiences in a moment on one of the artifacts, and then continue in different ways. • This will bring different people together on the experiences of the landscape. o And the objects allows you to create a different route to discover. • In the video, you can see a day experience, how people walk from different directions to this artifacts. o When they use it, they are alive and when they leave, they are abandoned and turn into landscape again. o At night people star camping in the artifacts and the landscape disappears in black and the only thing that you can see is the fire of this spaces. o The next day it starts all over again, and again. • I will be your guide in one of this adventures. o The first thing in the morning, we will be dropped off by our friend on the side of the road with our equipment. • Some hours walking West, we will found this field of spread elements in the landscape. • Each of them interacts different with the landscape and use, there we can camp, take a shower. o The privacy is given by the distance, and the walls always create an exterior space to the landscape. • Later we can divide and some of you can go to the fireplace, where the artifacts have to adapt to the changing topography. • Next day in the morning we continue walking North West through the desert. • Until we found this forest of elements, where we camp on one of the platforms. • Later we go in the space, and space of encounters in the desert. o The density of the elements creates privacy, something missing in the desert. o All the columns work as a measuring device of the landscape. o The big objects create shadow and places to shelter. • At night we will go and look up the stars isolated from the desert. • Next day we continue walking north until we found this horizontal element that cuts the mountain and the valleys. • We start entering this maze of walls that as a mirage hides gardens, water, and spaces to rest. • We camp on one of this spaces protected from the landscape. • Next day we return East to the road. •And our friend is ready to pick us up. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1536731518344-KQW279HAZ61GHGM2RRUT/B2.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1524106335015-3TULE8BY80K495JRKSXC/Thesis+Drawing+big.jpg Work - Central Park Habitation AAD, GSAPP, COLUMBIA UNIVERSITY Authors: Seda Onzal, Mengying Hu, Javier Moya Ortiz Studio: Interim Urbanism, Nahyun Hwang, David Moon / NHDM, TA Sabine Aoun Year: Summer 2017 Program: Habition Location: Central Park, New York City. Along the borders of Central Park, the commercial areas and skyscrapers, with a very low density, are allowing only privileged people live and experiences the park and unprivileged people are getting further against the original objective of the park, to be the democratic space of New York City. In the context of a privatized Central Park we extract five different and parallels scenarios throughout the park to experiment different possible approaches. Each stripe is a narrative that speculates a more democratic and public reading of Central Park, by using different programs, design approaches and types of stay. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1543378896078-V93KBWF6EJITUE14HTDV/maq2b+-+Copy.jpg Work - Cuevas House Architecture Students: Javier Moya O, Víctor Alegría C. Year: 2011 Program: Family house Location: Santiago, Chile Surface: 225 sqm Located in the eastern zone of Santiago, the house is considered as a series of linear spaces that in the first level connect interior areas of the house with the green exterior garden, and whose target views from the second level aim at the Andes mountain range. The house design rescues the typical architectural patterns of the central zone of Chile in terms of materials, colors, and roof solutions, and these are reinterpreted in a volume that is composed of simple and categorical lines. https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1551037793632-SP43T2V8BCW1MAUC9XNB/Board+1+06+upload+web.jpg Work - Muelle Barón Competition Architects: Javier Moya O, Linda Schilling C. (Urban Design Columbia University), Garrett Ricciardi (Formlessfinders Architects). Year: 2019 Location: Valparaiso, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1565845305329-CQG7S5CL93N40JGLQTGE/Housing+0514.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1564545887246-MX8Q9BD6I1ORAOU0F001/7..jpg Work - COP25 Public Art Competition Architects: Javier Moya O, Humberto Eliash Sculptor: Tito Ortiz Year: 2019 Location: Santiago, Chile https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1649189551417-7Y4VDDM69ZI8W75L5A2Y/Valenzuela+Puelma+Francisco-15.JPG Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1544293960551-HDH97EXAMBJP8CG3K79Y/04.12.18+CASA+PAC_FachadaPrincipal.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1543459608343-OY292LEMLKXP6M0S2G1B/Monroe-AlegriaMoya-22.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1617071453661-S35RPRJXL68JB7B9YWJH/COMISARIA+4.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1609815480869-D09M66G2QH0FXIJ28IS4/7.1.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678157786810-LDH1AW8XIA0TAE68NP5R/VALDIVIA_FRONTAL.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678158014872-I1DSHI3OR794JSQMCM89/vista+3.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678158288732-VEVHYZ70NTE1D39EQRTA/LAMINA+1-Pendrive+-+Copy+%285%29.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678239056238-PEHTVAUWWUE1SZJVOMNW/L5+-+Copy+%282%29.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1678158197008-PQYFABMFRBPG1M4XTRGM/02.Fachada+principal_V00.jpg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1679686559197-L8XKJO5SYUTFL2E0UCGD/Imagen_Mundano.jpeg Work https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1685938246533-PVA7N1PB5H42SBV5AWZZ/220926_Vista+%281%29.jpg Work https://deepspace.company/avo daily 0.75 2023-01-30 https://deepspace.company/hospital-lebu daily 0.75 2023-01-30 https://deepspace.company/new-cover-page-1 daily 1.0 2023-05-18 https://deepspace.company/about daily 0.75 2023-03-07 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1574265124308-ZP1WC0CWFFKMXGTPRFHF/image-asset.jpeg Who https://deepspace.company/new-page daily 0.75 2022-06-27 https://images.squarespace-cdn.com/content/v1/5ad52c2ff93fd46fee9e88a6/1625687184741-8598WUTWX7Q755LWX73F/SB-159_03.jpg New Page - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://deepspace.company/about-avenue daily 0.75 2025-06-10 https://images.squarespace-cdn.com/content/v1/56d4a125e707eb7a02e4055f/1456776682638-ETQYPR9PTECZWF5HLAON/image-asset.jpeg About